All Objects/Todos los Objetos
![Elisa](https://media.bookbindersmuseum.org/media/2023/05/Elisa-214x160.jpg)
Elisa. Diario Técnica: elaborado con ante rojo y negro, cantos labrados y detalles que provienen de la costura, guardas francesas y separador con detalles de ante. 19 x 12.5 cm Año 2002
![Alejandro](https://media.bookbindersmuseum.org/media/2023/05/Alejandro-214x160.jpg)
Alejandro Diario Técnica: Portablock con detalle de hilo en la portada. 12 x 8.5 cm Año 2006
![MarĂa](https://media.bookbindersmuseum.org/media/2023/05/Maria-214x160.jpg)
MarĂa  Diario TĂ©cnica: tela italiana con detalles de hilo de algodĂłn, cabezadas hechas a mano y cantos pintados. 24 x 18 cm Año 2003
![Blanca](https://media.bookbindersmuseum.org/media/2023/05/Blanca-214x160.jpg)
Blanca. Diario Técnica: collage en piel de borrego por ambos lados. Cortes en las hojas internas y registros de hilo de henequén. 24 x 18 cm Año 2003
![Violeta](https://media.bookbindersmuseum.org/media/2023/05/Violeta-214x160.jpg)
Violeta Diario Técnica: encuadernado en piel badana teñida a la valenciana, con cantos labrados, las tapas del diario forman a su vez la caja de protección, guardas francesas, cabezadas y detalles de clavos. Cosida en telar con hilo de lino. [...]
![Miguel Hernandez](https://media.bookbindersmuseum.org/media/2023/05/Miguel-Hernandez-213x160.jpg)
MIGUEL HERNANDEZ, de José Luis Ferris Elaborado para la 1ª Muestra Internacional de Encuadernación de Arte, realizada por el Taller “Llar del Llibre” en Alicante, España. Técnica: encuadernado en piel badana natural, con cantos labrados teñid [...]
![La Vuelta al Mundo en Ochenta DĂas](https://media.bookbindersmuseum.org/media/2023/05/Around-the-World-in-80-days-120x160.jpg)
Le Tour de Monde en Quatre-vingt Jours (ediciĂłn original en francĂ©s) de Julio Verne Elaborado para el Concurso Internacional de la 8ÂŞ Bienal Mundial de EncuadernaciĂłn de Arte, celebrado en ParĂs, Francia, en 2005: “Un calendrier a pendre au mu [...]
![Paper Huipil](https://media.bookbindersmuseum.org/media/2023/05/Huipil-110x160.jpg)
Huipil of Paper ““Of Matter.” Technique: Rebozos and huipil woven with thread and paper, which are conceived as poetic writing supports. It is a confluence between textile art and bookbinding. Made on a four-frame floor loom. Natural cotton an [...]
![Paper Rebozos (2)](https://media.bookbindersmuseum.org/media/2023/05/Rebozos-2-243x160.jpg)
Rebozos of Paper ““Of Matter” (2). Technique: Rebozos and huipil woven with thread and paper, which are conceived as poetic writing supports. It is a confluence between textile art and bookbinding. Made on a four-frame floor loom. Natural cott [...]
![Paper Rebozos, “Of Matter” (1)](https://media.bookbindersmuseum.org/media/2023/05/Rebozos-1-242x160.jpg)
Rebozos of Paper ““Of Matter” (1). Technique: Rebozos and huipil woven with thread and paper, which are conceived as poetic writing supports. It is a confluence between textile art and bookbinding. Made on a four-frame floor loom. Natural cott [...]
![The Poetic Egg](https://media.bookbindersmuseum.org/media/2023/05/47-huevo-1-213x160.jpg)
Project that combines poetry with flexible expression on an eggshell as a support. 2019
![The Beetle](https://media.bookbindersmuseum.org/media/2023/05/46-Escarabajo-157x160.jpg)
The Beetle. One of four textile pieces made with cotton thread on cardboard and glue, with the technique of “The thread of life”. The signature thread has been dyed with blood. 42.5 x 40 cm, 2014.
![The Scorpion](https://media.bookbindersmuseum.org/media/2023/05/Alacran-120x160.jpg)
One of four textile pieces made with cotton thread on cardboard and glue, with the technique of “The thread of life”. The signature thread has been dyed with blood.43 x 34 c 2020
![The Moon](https://media.bookbindersmuseum.org/media/2023/05/46-Conejo-133x160.jpg)
One of four textile pieces made with cotton thread on cardboard and glue, with the technique of “The thread of life”. The signature thread has been dyed with blood. 38.5 x 48 cm 2013
![The Spider](https://media.bookbindersmuseum.org/media/2023/05/La-Arana-213x160.jpg)
The Spider, One of four textile pieces made with cotton thread on cardboard and glue, with the technique of “The thread of life”. The signature thread has been dyed with blood. 45 x 43.5 cm, 2019.
![L’étranger (The Stranger 2)](https://media.bookbindersmuseum.org/media/2023/05/The-Stranger-2-280x127.jpg)
L’étranger (The Stranger, original French edition), by Albert Camus. Prepared for the International Competition of the 15th World Biennial of Art Binding, held in Paris, France, in 2019. Bound in paper and thread. The cover has been painted wi [...]
![L’étranger (The Stranger 1)](https://media.bookbindersmuseum.org/media/2023/05/The-Stranger-1-216x160.jpg)
L’étranger (The Stranger, original French edition), by Albert Camus. Prepared for the International Competition of the 15th World Art Bookbinding Biennial, held in Paris, France, in 2019. Technique: cloth binding, hemp thread and amate paper. [...]
![Le Lion (The Lion)](https://media.bookbindersmuseum.org/media/2023/05/45.-El-Leon-1-197x160.jpg)
Le lion (The Lion, original French edition), by Joseph Kessel Prepared for the International Competition of the 16th World Art Bookbinding Biennial, held in Paris, France, in 2022. The design of the bookbinding refers to the mystery of the Afr [...]
![L’art d’être Grand-Père](https://media.bookbindersmuseum.org/media/2023/05/Lart-detre-Grand-Pere-The-Art-of-Being-a-Grandfather-219x160.jpg)
L’art d’être grand-père (The Art of Being a Grandfather, original French edition), by Victor Hugo Prepared for the International Competition of the 14th World Biennial of Art Bookbinding, held in Paris, France, in 2017. Technique: the cover of [...]
![Pedro Páramo](https://media.bookbindersmuseum.org/media/2023/05/Pedro-Paramo-199x160.jpg)
Pedro Páramo, by Juan Rulfo Prepared for the exhibition “Pliegues de la Memoria” presented at the “Juan Rulfo” Bookstore, of the Fondo de Cultura Económica, in Madrid, Spain, in May and June 2018. Technique: the construction of the shawl, that [...]
![Vendredi ou la Vie Sauvage](https://media.bookbindersmuseum.org/media/2023/05/Friday-or-the-Wild-Life-1-208x160.jpg)
Vendredi ou la vie sauvage (Friday or the Wild Life, original French edition), by Michel Tournier Prepared for the International Competition of the 13th World Art Bookbinding Biennial, held in Paris, France, in 2015. Technique: bound in “chagr [...]
![The Tin Drum](https://media.bookbindersmuseum.org/media/2023/05/The-Tin-Drum-1-249x160.jpg)
The Tin Drum by Günter Grass. Technique: bound in “shagreen” goatskin. Edges painted with acrylic. Two stainless steel plates have been embedded in the cover flaps and the cover of the original edition has been used on the front cover. The des [...]
![Selma](https://media.bookbindersmuseum.org/media/2023/05/Selma-280x152.jpg)
Selma by Jutta Bauer Technique: “felting”, made by the textile designer Mariel Andrea Tapia Luna. Bound in handmade cloth, felted with carded, dyed and raw wool, 100% Mexican. Sewn with cotton thread. Edges carved and stained with acrylic. 11. [...]
![The Clown](https://media.bookbindersmuseum.org/media/2023/05/Opinions-of-a-Clown-150x160.jpg)
Opinions of a Clown, by Heinrich BöllTechnique: bound in goatskin (morocco), with an embossed leather flap on the spine. Hand-painted endpapers and edges painted with acrylic. Cardboard lids with holes allude to a Gothic temple with its staine [...]
![The Metamorphosis](https://media.bookbindersmuseum.org/media/2023/05/The-Metamorphosis-179x160.jpg)
The Metamorphosis, by Franz Kafka Technique: bound in “shagreen” goatskin. Three superimposed and sculpted skins. Sewn with cotton thread and scartivanas on the spine. Carved edges. The image alludes to the transformation of man into an insect [...]
![Thus Spoke Zarathustra](https://media.bookbindersmuseum.org/media/2023/05/Thus-Spoke-Zarathustra-107x160.jpg)
Thus Spoke Zarathustra, by Friedrich Nietzsche Technique: bound in “shagreen” goatskin. With gold titles and cotton thread details on the covers. Edges carved and stained with acrylic.18.5 x 12 cm 2015
![The Magic Mountain](https://media.bookbindersmuseum.org/media/2023/05/The-Magic-Mountain-226x160.jpg)
The Magic Mountain by Thomas Mann Technique: bound in “shagreen” goatskin. Edges carved and painted with acrylic. Marble dust and oil. Details in different materials.The image alludes to what can, among many other things, be found on the mount [...]
![Les Fables (Fables)](https://media.bookbindersmuseum.org/media/2023/05/Fables-219x160.jpg)
Original French edition by Jean de la Fontaine. Prepared for the International Competition from the 11th World Art Bookbinding Biennial, held in Paris, France, in 2011. Technique: bound in “shagreen” goatskin, with a classic structure. On the [...]
![L’aiguille Creuse (The Hollow Needle)](https://media.bookbindersmuseum.org/media/2023/05/The-Hollow-Needle-222x160.jpg)
L’aiguille creuse (The Hollow Needle, original French edition), by Maurice Leblanc Prepared for the International Competition of the 12th World Art Bookbinding Biennial, held in Paris, France, in 2013. Technique: bound in cloth and hemp thread [...]
![Le Mariage de Figaro (The Marriage of Figaro)](https://media.bookbindersmuseum.org/media/2023/05/Marrioage-of-Figaro-245x160.jpg)
The Mariage of Figaro, edición original en francés, de Pierre Caron de Beaumarchais  Prepared for the International Competition of the 10th World Art Bookbinding Biennial, held in Paris, France, 2009. The book presents the two theater masks a [...]
![Japanese Binding (3)](https://media.bookbindersmuseum.org/media/2023/05/Japanese-Binding-3-240x160.jpg)
Japanese Binding (3), Three exercises in traditional Japanese bookbinding carried out in the workshop of Mtra. Eiko Nakao, in the City of Osaka, Japan. 16 x 21 cm., 15.5 x 20.5 cm and 16 x 16 cm 2010
![Japanese Binding (2)](https://media.bookbindersmuseum.org/media/2023/05/Japanese-Binding-2-240x160.jpg)
Japanese Binding (2), Three exercises in traditional Japanese bookbinding carried out in the workshop of Mtra. Eiko Nakao, in the City of Osaka, Japan. 16 x 21 cm., 15.5 x 20.5 cm and 16 x 16 cm 2010
![Japanese Binding (1)](https://media.bookbindersmuseum.org/media/2023/05/Japanese-Binding-1-240x160.jpg)
Japanese Binding (1), Three exercises in traditional Japanese bookbinding carried out in the workshop of Mtra. Eiko Nakao, in the City of Osaka, Japan. 16 x 21 cm., 15.5 x 20.5 cm and 16 x 16 cm 2010
![Erotic Block](https://media.bookbindersmuseum.org/media/2023/05/Erotic-Block.jpg)
Erotic Block,Block for intimate use with personal data sheets, envelope for condoms, birth control pills and security spring. Interior details alluding to the user according to gender. Cover drawing by Elisa Luna. 12 x 8.5 cm 2002
![The Nest](https://media.bookbindersmuseum.org/media/2023/05/The-Next-213x160.jpg)
Diary, Technique: bound in leather spine and amate paper, with detail made with skin shavings. 23.5 x 18 cm, 2007.
![Censorship Diary](https://media.bookbindersmuseum.org/media/2023/05/Censorship-Diary-213x160.jpg)
Technique: bound in full leather, sheep, with detail in cotton thread. 17.5 x 11.5 cm, 2006.
![United](https://media.bookbindersmuseum.org/media/2023/05/United-2-1-213x160.jpg)
Diary, Technique: Several blocks, joined together, and one loose. Technique: cloth and cotton thread.23.5 x 18 x 10 cm, 18 x 23.5 cm, 2007.
![Mexican Prehistoric Codices](https://media.bookbindersmuseum.org/media/2023/05/Mexican-Prehistoric-Codices-212x160.jpg)
Cases made for facsimile and explanatory book of the Codices published by the Fondo de Cultura EconĂłmica. 15,000 copies made by hand. Technique: made with jute cloth and amate paper. 29 cm x 30.5 cm, 31 x 30.5cm, 1990 - 1996.
![Alpha and Omega](https://media.bookbindersmuseum.org/media/2023/05/Alpha-and-Omega-2-137x160.jpg)
Technique: made of goatskin (morocco) and embossed. The image alludes to the first and last letter of the Greek alphabet, which symbolizes the beginning and the end of all things in ancient medieval tradition. 17.5 x 12.5 cm 1996
![Case for Engravings](https://media.bookbindersmuseum.org/media/2023/05/Engraving-Case-218x160.jpg)
Technique: Notebook and explanatory book, joined together, with box. Made in Italian fabric. 24 x 17.5 cm  2004
![Diary with Rhinestones (2)](https://media.bookbindersmuseum.org/media/2023/05/Diaries-with-Rhinestones-228x160.jpg)
Technique: made with parchment paper. Exposed seam with Murano glass and silver. 8 x 12 cm 2005
![Diary with Rhinestones (1)](https://media.bookbindersmuseum.org/media/2023/05/Diaries-with-Rhinestones-228x160.jpg)
Technique: made with parchment paper. Exposed seam with Murano glass and silver. 8 x 12 cm 2005
![Encounter](https://media.bookbindersmuseum.org/media/2023/05/Encounter-1-214x160.jpg)
Technique: Two newspapers linked together with exposed seam and details of Swarovski crystal. 24 x 18 cm 2006
![Zara](https://media.bookbindersmuseum.org/media/2023/05/Zara-214x160.jpg)
Diary. Technique: goatskin (moroccan) with embossed details, irregularly shaped. Record with metal thread, and French guards. 23.5 x 16.5 cm 1993
![Mariel Binding Package](https://media.bookbindersmuseum.org/media/2023/05/Mariel-Binding-Package-268x160.jpg)
Prepared for the course-workshop of Introduction to Bookbinding, for children. 26 x 17.5 cm 2002
![Prehistoric Portablock](https://media.bookbindersmuseum.org/media/2023/05/Prehistoric-Portablock-125x160.jpg)
Technique: Made of cloth and amate paper with a pre-Hispanic symbol. 24 x 16cm 2007