The chapbook, an abbreviated print format that originated with cheap, mass-produced pamphlets hawked by itinerant salesmen in the sixteenth century, is a staple of the modern-day poetry world. Like their historical predecessors, contemporary chapbooks are slim, portable objects, often affordably printed and produced, and devoted to shorter texts. But
Samuel Mearne: Bookbinder and Copyright Enforcer A cursory search for Samuel Mearne (1624-1683) reveals an English Restoration bookbinder and publisher associated with the cottage (or cottage-roof) style of binding, which is characterized by ornate and colorful covers, often with a floral theme.
A reminder that this month’s Third Thursday will feature the poems from last weekend’s Lantern Review reading program, used as a vehicle to explore the ABM, and our notions of what a book is. Visitors can write their own haikus, or create a chapbook of poems (or both). We may
The American Bookbinders Museum is delighted to host two sponsored events this weekend! The first, on Saturday, April 16, at 7pm, will be a celebration in honor of National Poetry Month organized by The Lantern Review, the online journal of Asian-American poetry.
In honor of National Poetry Month, a bookbinder’s curse in 10 stanzas. One wonders what “Particular Occasion” caused Mr. “Burnisher” to vent such spleen. Solemn Curse Pronounced by Ben Burnisher upon a Master Bookbinder upon a Particular Occasion May rats and mice devour your paste, Your paper, and your leather.
One of the notable individuals featured in our current exhibit, “The Woman Bookbinder,” is Sarah Treverbian Prideaux (1853-1933). Born in London, S.T. Prideaux ended up as one of the most distinguished female bookbinders and binding designers of her time, even though she began at age 35. She was lucky enough to