Just a Journeyman Binder of Books
Working from town to town
A craftsman old, of an ancient guild
With graying hair and wrinkled frown.
He binds the books in leather and cloth,
Tools them in letters of gold
Some printed thoughts that come to naught,
Others of priceless mould.
Once in a while he’ll glance inside
And note what lies within
Gleaning a little from such aside
Of wisdom, knowledge, and sin.
Sage and philosopher, braggart and knave
Spill out their thoughts in a wordy pool,
The Journeyman binder sees them all
And absorbs a little from saint and fool.
He compares their words with what he’s seen
Of mountain, plain and seaport’s view,
The way his fellow men behave
In the marts of trade and home life too.
He takes his tools and hits the road
For another job — more books to bind,
Seldom knowing when night comes on
What resting place his head will find.
Just a Journeyman Binder of Books
As all in the trade may see,
If we could know why he wanders so
His life a book would be.
By Eric Widdas, International Brotherhood of Bookbinders Local No. 11, Miami, Florida.
Published in The International Bookbinder, Volume XLVI, No. 3
Just a reminder: ABM will be closed in celebration of the New Year on Tuesday, January 2. We will be open on January 3, and look forward to meeting you then.
Our best wishes to the Book community for a safe, healthy, and book-filled 2018.
This winter the Museum Shop at the American Bookbinders Museum is pleased to showcase the work of two extraordinary book artisans.
Pietro Accardi was born in Turin, in northwestern Italy, where his father, Gaetano, was the founder of Typografia Accardi. After working at his father’s press, Accardi went on to study restoration, paper marbling, and bookbinding; for over a decade his bindery, La Legatoria del Sole, was a vital part of the restoration efforts in Turin’s libraries and archives. Now living and working in the Sierra Nevadas, Pietro Accardi’s work combines marbling and binding techniques to create remarkable objects. The Museum Shop currently stocks his books, boxes, and scarves.
A native Muscovite, Sasha Mosolov received a degree in Book Arts from the Moscow Institute of Graphic Arts. While continuing his studies, he began a bookmaking career as an edition binder at a time when much–perhaps most– literature in the Soviet Union was banned. Mosolov bound photocopies of forbidden texts–Freud and Jung, religious texts, and anti-Soviet literature–in small-run editions. Because bookbinding materials were difficult to come by except through official channels, he developed techniques using cloth, paste paper, and cardboard to create his editions. These techniques became the basis for his unique works, bound in dyed-and-painted leather on which Mosalov fashions textured, raised images. The endpapers are handmade collage designs, and the pages are hand-sewn. The books come in a number of sizes and colors suitable for journaling, photo albums, and diaries.
Works by both Accardi and Mosolov are available to admire–and to buy–at the ABM Museum Shop through February.
Saturday, October 7 through Saturday, October 14
This year the American Bookbinders Museum hosts eight days and evenings of Litquake events, from panel discussions for new writers and kid-friendly events to featured authors and readers. See the Litquake site for a full listing of events, both at ABM and all around the city.
The city is doing construction on Clementina Street, but don’t be daunted: sidewalks are still open, and so is the Bookbinders Museum. Come visit!
Massachusetts Bay Colony in 1630, source unknown. The world of John Sanders.
That’s All She Wrote
In 1941 Hannah Dustin French of the Wellesley College Library published an essay entitled “Early American Bookbinding by Hand.” In the essay, she makes mention of American’s first bookbinder:
Bookbinding was one of the very early crafts to be practiced in this country, but where the first book was bound and what it was like we do not know. A bookbinder, John Sanders by name, took the freeman’s oath in Boston in 1636 and purchased a shop for himself there in 1637.
French and other book historians drew their information from an exhibition catalogue published by the Grolier Club, a literary society in New York still in existence. In turn, the editor of that 1907 publication cites a much older work. Unfortunately, A History of American Manufacturers from 1608 to 1860, Volume I, gives no further source for the information.
Thus begins the frustrating search for the elusive Mr. Sanders. It is left to the armchair historian to head down rabbit holes, consult ancient texts and modern search engines, and extrapolate, conjecture, and theorize to come up with a portrait of the man and his work. In the process, she finds many tantalizing topics relating to publishing in early America, from the female owner of the first print shop in the Colonies, to the mass printing of “Indian Bibles” in the 1660s and the Native American called “James Printer” who helped with the translation and typesetting of that publication. She even stumbles upon a 20th century hoax involving a Puritan document and the first bookstore/coffee house in America.
The Freeman’s Oath
To understand a little bit about who John Sanders was, it is a good idea to start with the Freeman’s Oath. That testament was a declaration of loyalty to authority required by both the Plymouth Colony (founded 1620) and the Massachusetts Bay Colony (founded 1630) to be eligible for public office or even to vote in town meetings. As the name makes apparent, the Freeman’s Oath was available only to free men and not to slaves, indentured servants, apprentices, or women. Even then, a man had to demonstrate that he was of “a quiet and peaceful manner” and be sponsored by other freemen.
The Oath read, in part,
I [NAME], being, by God’s providence, an inhabitant & freeman within the jurisdiccon of this comonweale, doe freely acknowledge my selfe to be subject to the govermt thereof, & therefore doe here sweare, by the greate & dreadfull name of the eurlyving God, that I will be true & faithfull to the same….
Spellings may vary!
There is no known extant copy of the broadside Freeman’s Oath printed by Stephen Daye in 1639. The document above, touted as a rare find in 1985, turned out to be a hoax perpetrated by infamous forger and murderer Mark Hoffman in a bizarre case in the annals of archival history. Hoffman is currently serving a life sentence at the Utah State Prison.
Signs of the Times
French tells us that Sanders took the Freeman’s Oath in Boston in 1836. This was only six years after the founding of the Massachusetts Bay Colony of which Boston was the lead town. Although Massachusetts quickly grew to about 20,000 European inhabitants before 1840, it must have been a rough and ready community.
So, the question is begged: what was there to bind? In those days there would have been no book publishers, no newspapers, and no printing press! Indeed, the first printing press in Colonial America arrived by ship from England in 1638, a year after Sanders allegedly set up his bookbinding establishment. Venturing into conjecture now, it is possible his work consisted of repairing and rebinding bibles and hymnbooks for the good people of the colony. Perhaps there was also work binding personal correspondence, hand-written memoirs, and volumes of poetry.
All we don’t know
John Sanders left no signed work behind. Indeed, it would have been highly unusual if he had. Puritans generally frowned on prideful things. We do not know how long he was in the bookbinding trade. Without partnering with a printer, it is doubtful anyone could have made a living by bookbinding alone at that time. The first print shop was set up in Cambridge by the widow Glover and her employee, Stephen Day [or Daye] in 1638. Within three years the press had turned out a broadside of our Freeman’s Oath, an “Almanack,” and the Bay Psalm Book; however, there is no evidence that John Sanders or any other independent bookbinder was associated with this enterprise, which was the precursor to the Harvard University Press.
The history maven turns to online genealogical services in an attempt to find information on Mr. Sanders. Alas, the name Sanders or Saunders is quite common and there is no “match” for a bookbinder in Boston in 1637. It is tempting to identify our bookbinder in one John Saunders of Salem, Massachusetts, with the dates 1613 to 1643. Thanks to previous researchers there is a great deal of genealogical information on this man:
- John Saunders of Salem came to America as a teenager in about 1629, shortly before the official establishment of the Massachusetts Bay Colony, which, it should be noted, encompassed both Boston and Salem, 15 miles apart.
- John Saunders of Salem became a “freeman” (i.e. took the Freeman’s Oath) in 1836, the same year as John Sanders the bookbinder. In fact, in a 1906 compilation of freemen in the colony, there is only one John Sanders listed for that year. (List of Freemen, Massachusetts Bay Colony from 1630 to 1691, Exira Printing Company, 1906)
- John Sanders of Salem became a freeman approximately seven years after arriving from England; could it be that he came as an indentured servant and, having completed his service in Salem, hied himself to the big city to try his hand at business?
It is here that the researcher finds herself falling down a rabbit hole lined with the proceedings of various obscure historical societies and hopes for a soft landing, particular after reading the following from a meticulously researched work by a 19th century Saunders:
During the years 1635-38 there were so many of the name of Sanders who came to the new settlement, their advent so united, their means so liberal, and their ability so acknowledged, that one can but infer they were members of one family. (The Founders of the Massachusetts Bay Colony, Sarah Saunders Smith, 1897)
Tools of the Trade
Conjecture is a dangerous business. Better that we use our imagination to picture the establishment of Mr. Sanders. It would likely have been a modest workshop adjoining living quarters. Mr. Sanders no doubt employed the basic tools of the trade: sewing frame, glue pot, beating hammer, and plough. If he did more than simple repairs of existing bindings, he would likely have employed sheep or calf skin over oak or birch boards, using materials readily available in the colony. (A tannery was established in the Massachusetts Bay Colony during the 1630s.) He would likely have manufactured his own tools or employed the services of a carpenter. If he ventured into ornamentation at all, it would have consisted of blind tooling leather covers with simple geometric or natural imagery. There would have been no thought of gilt.
We do not know how long Mr. Sanders remained in business. The historian Hugh Amory, writing in the 1990s, goes one step farther than other writers and states that John Saunders worked until 1651, but, he provides no citation for this assertion. If, in fact, Bookbinder Saunders continued in work through the 1640s he might have found work with the printer of the Bay Psalm Book, then located at Harvard College. If he endured into the 1660s, he might have been involved in the production of the Eliot Indian Bible. In that huge undertaking, he would have had competition from other bookbinders, including one John Ratliffe (or Racliffe).
But all that is a story for another decade.
Not a forgery: The Bay Psalm Book was the first book printed in America. Whether John Sanders might have had a hand in binding the work is unknown.
- Leander Bishop, M.D., A History of American Manufacturers from 1608 to 1860, Volume I, 1861, available through Google Books.
Hannah Dustin French, “Early American Bookbinding by Hand,” in Bookbinding in America: Three Essays, 1941.
Lawrence C. Wroth, The Colonial Printer, 1931.
The Grolier Club, The Grolier Catalogue of Ornamental Bookbindings Executed in America before 1850, 1907, available through Google Books.
Hugh Amory, Bibliography and the Book Trades: Studies in the Print Culture of Early New England, essays edited by David D. Hall, 2013.
ABM Guest Blogger Eleanor Boba is a public historian who blogs about historic places off the beaten path and other curious matters. She lives in Seattle.
You have probably walked into a library at some point and seen rows of books in solid-colored hardbound covers; some may have muted-color pictures on the cover, but more often than not they have plain covers. Title and author appear on the spine and cover in unornamented white, yellow, or light-blue lettering. These books may be familiar to you as run-of-the-mill library books, but what you might not know is that these books are specially bound in what is called “library binding” — a formal bookbinding practice with standards and guidelines that has been around since 1923 (1). That’s right, you can get specially certified as a Library Binder.
What is Library Binding?
Library binding is a preservation technique for library books, which often face the tough reality of rough handling, many borrowers over their circulating lifetime, and the need to stick around for a long while. Library binding is a protective hardbound binding that is meant to protect the book, or bound set of serials, for durability and long-term preservation. The longer the shelf-life of library books, the more the library can save on the cost of re-buying books over time. Additionally, books are kept in better condition, providing a nicer experience for the reader. (more…)
Many of us have personal libraries, and within those libraries the chance that we own a standard hardcover book is high. Modern case bindings (also known as hardcovers) are everywhere. These bindings are constructed from paper boards covered by a sturdy cloth or decorated paper, and the cover is generally made separately from the text block and attached later by endpapers.
Case bindings are made the same way now as they were made in the 1800s, and so often the problems I see with older books are the same problems that will eventually happen to the new book sitting on your shelf. In fact, it even happened to a friend’s copy of a recently bought Game of Thrones book!
Some mechanical problems that are frequently met in case bindings:
- Before the text block is out of the case you may find that the joints are loose and simply need to be tightened (I will cover this in more detail further down).
- The text block falls out of the case but the entire case is intact. This will require that the text block will need to be rehung in the case.
- If the text block has separated from the case, you could have text block problems or spine problems, and this will require re-backing the text block and possibly re-sewing.
- Damaged and weak corners on the board.
- The case is falling apart (as when the spine of the case has come away from the boards leaving the boards attached to the text block but the spine missing).
The most issue common with case bindings is joint problems. If you’re able to catch it in time, a little bit of PVA glue to tighten up the joints will go a long way in preserving your books and preventing them from falling apart.
Since the covers and text block are often held together only by endpapers, joint problems are the biggest issue we run into with standard hardcover books. There is little that can be done to prevent it: it’s simply going to happen eventually. Because the weight of the text block when the book is standing pulls downward on the spine and over time the end paper cannot hold it.
In the photograph below you can see the looseness of the joints. This, as I mentioned before, is an easy fix. It requires taking a skinny metal rod (perhaps cut from a clothes hanger), dipping the rod in PVA glue and then sliding it into the joint where the paper is coming loose. Once you’ve applied glue to the joints that need it, from the top and bottom if necessary, you press the book for a minute or so until the PVA is dry.
Photo credit: Arielle VanderSchans
Once the joints are tightened you can see that the paper now fits snuggly against the boards.
Photo credit: Arielle VanderSchans
This repair is quick and easy, and will help the book last longer, as you’re catching the joint problem before the paper can tear away from the boards completely (which would leave you with a detached text block!).
Another problem that can occur with case bindings is that if the end pages tear, the text block can come completely out of the case, or the spine of the case can tear and come completely off but the boards remain attached to the text block. Below is a photo that shows a text block detached from the case. This text block also had to be resewn.
Photo credit: Arielle VanderSchans
These fixes require a bit more work, from resewing the spine to re-backing and attaching a hollow tube on the text block. If your book reaches this state, consult a professional who can determine what steps are needed to repair the book.
Other common issues to look out for in book preservation are:
Mold can develop on any book and the risk of mold comes in areas of high humidity. If you’re worried about mold growing on your books, try to lower the humidity of the room to make the mold inactive. If you do find mold on one of your books, take it off the shelf and let the mold dry up. Small amounts of mold can be vacuumed up using the upholstery attachment of your vacuum. You can also wipe the bindings and text block edges with cheesecloth dipped in 70% alcohol and wrung out very well!
Dirt & Soot
A book can be easily cleaned of dirt, soot and dust by wiping it gently with a dry-cleaning sponge. You can also vacuum the book with the upholstery attachment. Start with the top of your book and wipe from the back of the book to the front, or the spine to the edge of the text block.
Keep an eye out for bugs like silverfish that commonly live in homes. Store your books off the floor to keep them away from silverfish that might live in the carpets. A few other tips for storiage to keep in mind:
- Store books that are the similar heights together; if they are 15 inches or less in height and of medium thickness store them standing upright but if they are taller or thicker lay them on their sides.
- Leather-covered books shouldn’t be stored next to cloth- or paper-covered books because the leather may stain the other books.
- Give your books room to breathe: don’t shelve them tightly together or it may cause distortion– but keep them close enough together so that they support each other.
These are just some of the things to keep in mind when working with hardcover books! Store them properly, take care of them, try to catch joint problems early on and your case binding will last a long time!
Brown, Michele. Preserving Books in Your Home Library. Ithaca, NY: Cornell University Library, PDF.
CBBAG: Repair & Restoration Workshop. Dan Mezza, London ON. January 2017.
Guest blogger Arielle VanderSchans is a linguist and librarian living in Canada. She currently studies bookbinding through the Canadian Bookbinding and Book Arts Guild. You can follow her as she learns the trade here: https://ariellesbindery.com
Preservation Week is here again! This weeklong celebration of preservation and conservation activities in libraries, archives, and museums is the brainchild of ALCTS, the Association for Library Collections and Technical Services, a branch of the American Library Association. Later this week we’ll be sharing two guest blog posts on the preservation and conservation concerns of two common kinds of bindings: case binding and library binding.
While conservation and preservation are words used somewhat interchangeably in everyday conversation, in the library world they have specific, but intertwining, meanings. Preservation refers to the steps taken to slow the deterioration of materials. These steps include environmental controls provided by an HVAC system, housing items in neutral-pH folders and boxes, and reducing exposure to light whenever possible. Conservation refers to the steps taken once an item has been damaged and needs repair, cleaning, or restoration. If you’ve been following our Instagram feed, you may have noticed some photographs of metal artifacts at various points in the cleaning process. This is a conservation project we’re currently tackling.
If you have questions about preservation, conservation, or Preservation Week, don’t hesitate to contact us here at the museum. There are also lots of great free resources at the Preservation Week website.
“I am not so regular in my sleep as the Doctor (Rush) says he was, devoting to it from five to eight hours, according as my company or the book I am reading interests me; and I never go to bed without an hour or half an hour’s previous reading of something moral, whereon to ruminate in the intervals of sleep.” (Jefferson, quoted in Boutell, 1891.)
Thomas Jefferson is known primarily as the Father of the Constitution and the third President, but he was also an ardent supporter, admirer, and reader of books. To him, books were far more than a pastime; they contributed to both a moral and democratic education. And Jefferson liked to read the classics in their original form, “in all the beauties of their originals” (Boutell, 1891, p. 40). It was Jefferson’s library of 6,487 works that replaced the Congressional Library when it was burned by the British in 1814 (for which he was paid $23,950), arguably making Jefferson also the Father of the Library of Congress. The Library of Congress has gathered together many of these original books (see also this video).
Jefferson carefully collected and curated his library, spending a summer or two in Parisian bookstores “turning over every book with my own hand, and putting by everything which related to America. . .” (Boutell, 1891, p. 42). Given the expense and effort required to develop a book collection, Jefferson’s was notable, and thought by many to be one of the largest in the country. We can imagine what Jefferson’s library might have looked like. Jefferson notes that “nearly the whole are well-bound” (p. 43). Jefferson’s library would have probably contained a combination of leather bound books with gold tooling; books still in their original plain paper wrappers temporarily sewn together until Jefferson could take them to his own binder; and books bound with stiff covers with adverts printed on them. One list of Jefferson’s books indicates that some were purchased “bound” while others had a “fancy binding” and still others were in “Boards” (Jefferson, 2011). A letter from Jefferson to Robert Skipwith tells of the books needed to put together a beginning library, and mentions that the binding of the books will result in varying costs. “These books if bound quite plain will cost the prices affixed in this catalogue. If bound elegantly, gilt, lettered, and marbled on the leaves, they will cost 20.p. Cent more. If bound by Bumgarden in fine Marbled bindings, they will cost 50.p. Cent more” (Boyd, 1950).
Jefferson engaged in some bookbinding of his own. In 1819 he created what has come to be known as the “Jefferson Bible”. He did not use the usual bookbinding strategies; instead he carefully removed pages from the Gospels in four languages (English, Latin, French and Greek) and glued them to paper. The 86-page presentation presents a multi-lingual history of Jesus’ life from an enlightenment perspective (no miracles, angels, saints or other-worldly contents were included). He sent his handmade creation on to Frederick August Mayo to be bound. A facsimile copy of the Bible was produced in 1902 and was presented to Senators on the day they took office until the copies ran out in 1957.
Bookbinding was clearly important to Jefferson in building his own collection, and it has also played an important role in preserving his works. His 1783 Book Catalog was bound and is preserved at the Massachusetts Historical Society. In 2000 the Society disbound, cleaned, deacidified, and repaired the volume using Japanese tissue paper and wheat paste, returning it to its original bound condition. The volume was also digitized at this time. The Government printing office rebinds Jefferson’s Manual for House of Representatives Procedures every two years, using some traditional methods, including marbling the manual’s edges, assembling leather covers, and gold stamping them. A recent bookbinding exhibit featured Thomas Jefferson’s Paris Walks, a book of Jefferson’s sketches and commentary, together with modern photographs, which was especially bound for the exhibit using traditional methods.
As we celebrate Jefferson’s 274th birthday, we can appreciate his passionate appreciation of books–and bookbinding. Binding provided the tools for projects like the Jefferson Bible, and the bound record of his large book collection. The utility of binding has preserved his work; the beauty of bindings delighted his eye–and ours.
Dr. Mary Vasudeva has a PhD in English and currently teaches writing and critical thinking at Diablo Valley College. She is also studying for her Masters in Library and Information Science at San Jose State University. Recent publications include a book review of Overcoming Information Poverty, by Anthony McKeown and selected writing sections for the textbook, Asking the Right Questions, in the forthcoming 12th edition.
Boutell, L. (1891). Thomas Jefferson, the man of letters. Chicago: Press of S. Thompson & Co. Retrieved from https://archive.org/details/boutelljefferson00lewirich
Boyd, J. ed (1950). From Thomas Jefferson to Robert Skipwith, with a List of Books for a Private Library, 3 August 1771,” Founders Online, National Archives, last modified December 28, 2016, http://founders.archives.gov/documents/Jefferson/01-01-02-0056. Original source: The Papers of Thomas Jefferson, vol. 1, 1760–1776. Princeton: Princeton University Press, pp. 76–81.
Jefferson, T., & Looney, J. J. (2011). The Papers of Thomas Jefferson, Retirement Series: Volume 7: 28 November 1813 to 30 September 1814. Princeton University Press.
Martin, R. (1988), Jefferson’s Bookmarks. Monticello Research Department. Retrieved from https://www.monticello.org/site/research-and-collections/jeffersons-bookmarks
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